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PerforMANcedinners & Edible Sculptures
Conference and performance presented in Galería Casa del Tiempo UAM, Mexico Ciy. October, 2016.
The idea in the Plato. Conference and performance presented in La Bodega del Riojano, Sevilla, Spain. May, 2016.
History is now even if temporarly unavailable Gourmet Narco Gastronomy. Fort Mason Center, San Francisco, april 30, 2016.
Metabolismo de Libre Comerse (makes reference to the treaty of free commerce): X Hemispheric Convention, Santiago de Chile, July 19, 2016.
Gourmet Anthropophagi. Performance in The Hemispheric Institute of Performance and Politics, Montreal Canda.
Xipe Totec or "Our Lord the Skinned". Performance in Delfina Foundation, London, England.
Toma chocolate, No pagues lo que debes / Take what you want, Don’t bother paying for it. 20th Aniversary of the CENART. México City, 2014.
Performance piece as part of the Sixth World Meeting of Body Art in Caracas, Venezuela. November 2011.
Gastro-economic performative collaborative between Mexicans and Güiris-Foreigners. Guanajuato, October 2011.
Gastroeconomics of the new millennium. Metabolismo de Libre Comerse.
Botanical Garden, Madrid, Spain, January 28, 2006.
Human sculpture made out from sweet jell-o flavor. Inaugural act in Casa de América, Madrid, Spain, 2008.
Edible human chocolART sculpture devoured by the audience at the exhibit’s opening. Cultural Center Count Duke. November 11th, 2004
Human edible chocolART sculptures with walnuts, nuts, marzipan, tequila essence and pepper. October, 2005.
Opening at the 4th Edition of I Giardini di Xpò, Contenitore d’ Arte, Natura, Scienza, Magia. Milan, Italy, 2003.
Exhibition: Metabolism and communication.
Palau de la Virreina, February, 2002. Barcelona, Spain.
Inaugural ceremony of the IV Caribbean Biennial, Santo Domingo, Dominican Republic, 2001.
Human chocolART sculpture that the audience ate until only crumbles remained. Mexico, 2001.
Edible human chocolART sculpture to commemorate Saint Joan’s Day. Fundació Pilar i Joan Miró, Palma de Mallorca, Spain 1999.
Edible jelly sculpture devoured by the public. Museo de Arte Carrillo Gil, Mexico City.
“The North America Free Tanga Puesto over America Ge-Latina”. Denver, Colorado, USA, 1997.
Latin performance season, “Corpus Delecti, Sex, Food & Body Politics” ICA LIVE ARTS, Institute of Contemporary Arts. London.
VI Biennal in La Havana, Cuba, 1997, “The individual and its Remembrance. Curatorship by Ibis Hernández Abascal.
